Nadie conoce a nadie

Nobody Knows Anybody | Ediciones B, 1996


(Nobody Knows Anybody) Easter 1997. Sevilla becomes a macabre playing field in which reality and fiction, coincidence and calculation are set face to face in a deadly game in which the violence of a terrorist attack provokes a situation in which there’s no way out. Great literature is not meant to give answers but to question reality. That is what Juan Bonilla does in Nobody Knows Anybody.

→ Film rights sold to: Sogetel-Maestranza Films / Director: Mateo Gil


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