SPANISH & CATALAN LANGUAGE AUTHORS
NARRATIVA
- Pablo ARANDA
- Juan Luis ARSUAGA
- Joan BARRIL
- Nuria BARRIOS
- Xuan BELLO
- Felipe BENÍTEZ REYES
- Joan-Daniel BEZSONOFF
- Juan BONILLA
- Dolors BORAU
- Javier CALVO
- Martín CASARIEGO
- Nicolás CASARIEGO
- Paula CIFUENTES
- Mario CUENCA SANDOVAL
- Cristina FALLARÁS
- Pedro FEIJOO
- Josep Maria FONALLERAS
- Antonio GARCÍA ÁNGEL
- Ignacio GARCÍA-VALIÑO
- José A. GARRIGA VELA
- Albert GASSULL
- Marcos GIRALT TORRENTE
- Ismael GRASA
- Javier GUTIÉRREZ
- Menchu GUTIÉRREZ
- Najat El HACHMI
- Lourdes IGLESIAS
- Sebastià JOVANI
- Use LAHOZ
- Sonia LAREDO
- José Carlos LLOP
- Pedro MAIRAL
- Ignacio MARTÍNEZ DE PISóN
- Miguel MENA
- Cristina MORALES
- Fabiola MORALES
- Miquel OBIOLS
- Vicenç PAGÈS JORDÀ
- Enric PARDO
- Jordi PUNTÍ
- Emma RIVEROLA
- Félix ROMEO
- Fernando ROYUELA
- Màrius SERRA
- Jordi SOLER
- Ramon SOLSONA
- Andrés TRAPIELLO
- David TRUEBA
- Ángela VALLVEY
- Ignacio VIDAL-FOLCH
- Enrique VILA-MATAS
- Rolando VILLAZÓN
- Pedro ZARRALUKI
Enrique VILA-MATAS

Bartleby y compañía
Anagrama, 2000
(Bartleby & Co).
- Mister Rulfo, why haven’t you written anything for so many years?
- It’s just that my Uncle Celerino died, and he’s the one who told me the stories.
This book talks about people who stop writing (Rulfo, Rimbaud, Salinger…) and looks for the reasons why each of them would prefer not to.
We all know the bartlebys – they are those who inhabit a profound negation of the world. They take their something about his life, responded simply: “I would prefer not to”.
In Bartleby y compañía the endemic disease of contemporary letters is talked about; the negative pulse or attraction to nothing. The book’s narrator, writing a diary which is, at the same time, a notebook of footnotes commenting on an invisible text, shows his ample solvency as a tracker of Bartlebys when passing through the ‘Maze of No’, along paths considered to be the most perturbing and attractive trend in contemporary literature – a trend in which he sees the only path that remains open to true literary creation, because for him only from the negative pulse of rejection, only from the lucid Maze of No can future writing emerge.
-Ciudad de Barcelona Prize
-Prix Aguirre-Libralire
-Best Spanish Novel of year (Reforma, México)
-Prix au Meilleur Livre Étranger.
(Spain, Anagrama, 2002 / Newsstand, RBA); (Brazil, Cosac Naify, 2005); (Bulgaria, Panorama); (China, Yuan Lion); (Croatia, Naklada Pelago - Bozicevic, 2008); (Czech Republic, Garamond, 2006); (Denmark, Politisk Revy, 2005); (Finland, Basam, 2007); (France, Bourgois, 2002 / Pocket, Titres, 2009); (Germany, Nagel & Kimche, 2001 / Pocket, Fischer Verlag, 2009); (Greece, Kastaniotis); (Hungary, Geopen, 2007); (Italy, Feltrinelli, 2009); (Japan, Sincho-Sha, 2008); (South-Korea, Sodam); (Lituania, Alma Littera, 2008); (The Netherlands, De Bezige Bij, 20'07); (Norway, Solum, 2003); (Poland, Muza, 2007); (Portugal, Assirio & Alvim, 2001); (Romania, RAO, 2005); (Russia, Inostranka, 2007); (Serbia & Montenegro, Plato, 2004); (Slovenia, Beletrina, 2006); (Turkey, Dogan Kitap, 2005); (UK, Harvill Press, 2004 / Pocket, Harvill); (USA, New Directions, 2007)
«A writer with an extraordinary imagination.» Mathieu Lindon, Libération
«The best active storyteller.» Rodrigo Fresán, Página 12
«The most important Spanish living author.» Bernardo Atxaga, El Dominicial
- Aire de Dylan
- Chet Baker piensa en su arte. Relatos selectos
- En un lugar solitario. Narrativa 1973-1984
- Dublinesca
- Ella era Hemingway / No soy Auster
- Dietario Voluble
- Exploradores del abismo
- Doctor Pasavento
- El viento ligero en Parma
- París no se acaba nunca
- El mal de Montano
- Desde la ciudad nerviosa
- El viaje vertical
- Extraña forma de vida
- Lejos de Veracruz
- Recuerdos inventados
- Hijos sin hijos
- Suicidios ejemplares
- Una casa para siempre
- Historia abreviada de la literatura portátil
- Impostura
- La asesina ilustrada