SPANISH & CATALAN LANGUAGE AUTHORS
NARRATIVA
- Pablo ARANDA
- Juan Luis ARSUAGA
- Joan BARRIL
- Nuria BARRIOS
- Xuan BELLO
- Felipe BENÍTEZ REYES
- Joan-Daniel BEZSONOFF
- Juan BONILLA
- Dolors BORAU
- Javier CALVO
- Martín CASARIEGO
- Nicolás CASARIEGO
- Paula CIFUENTES
- Mario CUENCA SANDOVAL
- Cristina FALLARÁS
- Pedro FEIJOO
- Josep Maria FONALLERAS
- Antonio GARCÍA ÁNGEL
- Ignacio GARCÍA-VALIÑO
- José A. GARRIGA VELA
- Marcos GIRALT TORRENTE
- Ismael GRASA
- Javier GUTIÉRREZ
- Menchu GUTIÉRREZ
- Najat El HACHMI
- Lourdes IGLESIAS
- Sebastià JOVANI
- Use LAHOZ
- Sonia LAREDO
- José Carlos LLOP
- Pedro MAIRAL
- Ignacio MARTÍNEZ DE PISóN
- Miguel MENA
- Cristina MORALES
- Fabiola MORALES
- Miquel OBIOLS
- Vicenç PAGÈS JORDÀ
- Enric PARDO
- Jordi PUNTÍ
- Emma RIVEROLA
- Félix ROMEO
- Fernando ROYUELA
- Màrius SERRA
- Jordi SOLER
- Ramon SOLSONA
- Andrés TRAPIELLO
- David TRUEBA
- Ángela VALLVEY
- Ignacio VIDAL-FOLCH
- Enrique VILA-MATAS
- Rolando VILLAZÓN
- Pedro ZARRALUKI
Enrique VILA-MATAS

Exploradores del abismo
Anagrama, 2007
(Explorers in the Abyss) “What are you writing?” they asked Enrique Vila-Matas one afternoon. After Doctor Pasavento, the writer was living with a permanent feeling of being at a dead end; that he had reached the end of a certain route and the abyss was opening up in front of him. “I’m writing the title of a book”, he answered. The title was Exploradores del abismo. Over the next few days, a series of stories related to the suggestions of this title began to emerge. The whole book is an exploration of the abyss, and as the title itself indicates, it deals with stories featuring characters on the edge of the cliff, people on the edge of the cliff, who entetain themselves on the edge and study, investigate, analyse it.
The explorers are obviously a metaphor for the human condition. They are optimists and their stories are generally those of normal people who, on seeing themsleves verging on the edge, adopt the position of expedition members and sound out the possible horizon, investigating what may lie outside of here, or beyond our limits. They are not especially modern, and they generally frown upon the existential weariness than is so fashionable. Rather, they are somewhat old-fashioned and very active people who have an uninhibited and direct relationship with the void. Sometimes this void is central to the story and at other very different times, the abyss becomes merely a pretext for writing the story.
In fact, the stories in this book all search to bridge the admirable abyss, that is patiently explored in all possible directions through subtly connected stories: stories crossed by the enigmatic and sinuous silhouette of a tightrope walker, whose path traces the unstable but consistent wire that, with a strange and beautiful internal coherence, draws together the stories that make up this return by Enrique Vila-Matas to short narrative. But it is also an unclassifiable book, as far removed from the conventional novel as from the typical collections – always so suspicious – of done and dusted stories. In the end we are definitely a lot less lost than at the beginning, but we are also closer to a new abyss. And we get an intuition, as Canetti would say, that the explorers no longer know how to return from the map. And we get another intuition that readers of Vila-Matas will avidly take up this dazzling book.
-Selected in Babelia as one of the ten books of the year in 2007.
(Spain, Anagrama / Pocket, Compactos); (Arabic rights – NCT Publishing); (Brazil, Cosac Naify); (France, Bourgois); (Italy, Feltrinelli); (Poland, Muza); (Portugal, Teorema)
«Although the practice of Vila-Matas in the stories is that of a normal writer, it is obvious that he cannot be one, because he was born to be a special kind of artist.» J.M. Pozuelo Yvancos, ABC
«Not only one of the most original works in European literature, but also one of the most fertile.» Ricardo Menéndez Salmón
«(…)a book of strange beauty» J. Ernesto Ayala-Dip, Babelia
«In Exploradores del Abismo Vila-Matas creates a very happy conjunction between the two angles of his writing (...) here he manages to achieve a magnificent balance between the personal and the impersonal (...) ‘the literature has its intensity, but for him life is no less intense’, as we can see in this magnificent collection of stories in which each one is a surprise melancholically inspired in daily life.»J.A.Masoliver Ródenas, Culturas de La Vanguardia
«At this stage in the expedition - the sign of the truly great - there is already a Vila Matas Style that is impossible to remove from the DNA of this writer.» Rodrigo Fresán, Letras Libres
«Vila Matas gives us a convincing lesson in how literature, when it is art, serves to scratch around the cracks of staying alive» Domingo Ródenas Moya, El Periódico
«The author goes in and out of the stories, constantly erasing the borders between reality and fiction» Ricardo Senabre, El Cultural
«The latest book by Enrique Vila-Matas displays curiosity and irony while mocking borders and common places. It is magic with precision.» Carlos Zanón, Avui-Cultura
«(…) exciting, sensitive, intriguing and shocking writing.» Jesús Ferrer Solà, La Razón
- Aire de Dylan
- Chet Baker piensa en su arte. Relatos selectos
- En un lugar solitario. Narrativa 1973-1984
- Dublinesca
- Ella era Hemingway / No soy Auster
- Dietario Voluble
- Doctor Pasavento
- El viento ligero en Parma
- París no se acaba nunca
- El mal de Montano
- Bartleby y compañía
- Desde la ciudad nerviosa
- El viaje vertical
- Extraña forma de vida
- Lejos de Veracruz
- Recuerdos inventados
- Hijos sin hijos
- Suicidios ejemplares
- Una casa para siempre
- Historia abreviada de la literatura portátil
- Impostura
- La asesina ilustrada