SPANISH & CATALAN LANGUAGE AUTHORS
NARRATIVA
- Pablo ARANDA
- Juan Luis ARSUAGA
- Joan BARRIL
- Nuria BARRIOS
- Xuan BELLO
- Felipe BENÍTEZ REYES
- Joan-Daniel BEZSONOFF
- Juan BONILLA
- Dolors BORAU
- Javier CALVO
- Martín CASARIEGO
- Nicolás CASARIEGO
- Paula CIFUENTES
- Mario CUENCA SANDOVAL
- Cristina FALLARÁS
- Pedro FEIJOO
- Josep Maria FONALLERAS
- Antonio GARCÍA ÁNGEL
- Ignacio GARCÍA-VALIÑO
- José A. GARRIGA VELA
- Marcos GIRALT TORRENTE
- Ismael GRASA
- Javier GUTIÉRREZ
- Menchu GUTIÉRREZ
- Najat El HACHMI
- Lourdes IGLESIAS
- Sebastià JOVANI
- Use LAHOZ
- Sonia LAREDO
- José Carlos LLOP
- Pedro MAIRAL
- Ignacio MARTÍNEZ DE PISóN
- Miguel MENA
- Cristina MORALES
- Fabiola MORALES
- Miquel OBIOLS
- Vicenç PAGÈS JORDÀ
- Enric PARDO
- Jordi PUNTÍ
- Emma RIVEROLA
- Félix ROMEO
- Fernando ROYUELA
- Màrius SERRA
- Jordi SOLER
- Ramon SOLSONA
- Andrés TRAPIELLO
- David TRUEBA
- Ángela VALLVEY
- Ignacio VIDAL-FOLCH
- Enrique VILA-MATAS
- Rolando VILLAZÓN
- Pedro ZARRALUKI
Andrés TRAPIELLO

Días y noches
Espasa Calpe, 2000
(Days and Nights) On the 25th May 1939, the Sinaia set sail for Mexico with 1,599 passengers on board who had just lost everything except their lives. Among them was one Justo García, a young man who had discovered the horror and desolation of a war that radically transformed thousands of Spaniards. Justo García goes from the Spanish front to a refugee camp in Saint Cyprien in the south of France, where hundreds of men were either killed or went mad; he sees a Paris full of erratic exiles, pursued by both the gendarmes and their former comrades and, finally, boards the Sinaia, not managing to put his past behind him. All that remains of Justo is his diary, the words that have become the most moving and impressive witness to a story in which human misery and greatness meet at a unique point: the struggle to maintain individual dignity intact.
(Spain, Espasa Calpe; Destino); (France, Buchet Chastel); (Greece, Polis); (Portugal, Edicões 70)
«This novel is impressive for the obvious dignity imposed by the subject and by the simplicity, the balance ad the humanity of the tale – something that is much too distant nowadays fro the “merits” that such a poorly treated genre is expected to give. Dignity in story, in the creation of a character who can relate it to us, both in the narrative voice and in the treatment of the novel itself. And also, the reading of which is a dignifying experience for us.» Rafel Conte, ABC Cultura
«Trapiello has conceived one of the best novels of the literary year» Miguel García Posada, Babelia